GORDEN KEGYA

 Zainab Ahmad is a partner in the New York office of Gibson, Dunn & Crutcher. She is co-chair of the firm's National Security Practice Group and a member of the White Collar Defense and Investigations, Privacy, Cybersecurity and Data Innovation and Labor and Employment Practice Groups. Zainab served as Senior Assistant Special Counsel in Special Counsel Robert S. Mueller’s Office following a successful career as a prosecutor and trial lawyer at the Department of Justice in both Washington, D.C. and the Eastern District of New York. As former Deputy Chief of the National Security and Cybercrime section at the U.S. Attorney’s Office in the Eastern District of New York, Zainab supervised a unit of over 20 attorneys, investigators, and staff prosecuting sensitive counterterrorism, counterespionage, and cybercrime cases. Zainab’s practice focuses on white collar defense and investigations, as well as regulatory and civil litigation challenges, such as matters involving corruption, anti-money laundering, sanctions and FCPA issues. She also advises clients on cybercrime and intellectual property issues, including handling investigations, enforcement defense, and litigation. She has extensive experience with a wide range of federal, state, and international cybersecurity laws, regulations, and standards.


Zainab has been ranked in the 2025, 2024, and 2023 editions of Chambers USA: America’s Leading Lawyers for Business as “Up and Coming” for White-Collar Crime & Government Investigations in New York. The Global Investigation Review had previously named Zainab among their “Top Women in Investigations” for 2021. She was also named by Benchmark Litigation as a 2026 “Future Star” and by Crain’s New York Business to the 2020 list of “Notable Women in Law.” Zainab has been honored with the Attorney General’s Award for Excellence in Furthering the Interests of U.S. National Security, New York City Bar Association’s Henry L. Stimson Medal recognizing Outstanding Assistant U.S. Attorneys, Executive Office of U.S. Attorneys Director’s Award for Superior Performance, FBI Director’s Award for Excellence in International Operations, U.K. Northwest Counter Terrorism Unit Commander’s Commendation, Federal Law Enforcement Foundation’s Federal Prosecutor of the Year Award, and the Society of Asian Federal Officers’ Prosecutor of the Year Award.


Prior to joining Gibson Dunn, Zainab was a prosecutor with the U.S. Department of Justice for 11 years. She most recently served as a Senior Assistant Special Counsel in Special Counsel Robert S. Mueller’s Office from 2017 to 2019. Prior, she served as an Assistant U.S. Attorney at the U.S. Attorney’s Office in the Eastern District of New York, where her roles included Deputy Chief of the National Security and Cybercrime section. During her tenure, she prosecuted and supervised some of the most complex international terrorism investigations in the United States, focusing on al-Qaeda, ISIS and attacks against U.S. military personnel and U.S. diplomats abroad. In pursuit of these extraterritorial national security investigations, she worked closely with the FBI, U.S. intelligence community, Department of State and Department of Defense, and she frequently traveled to Europe, the Middle East and Africa to negotiate with foreign law enforcement officials and regulators for access to evidence and testimony, and to collaborate with foreign counterparts regarding mutual legal assistance requests and extradition assurances. Her work was chronicled in a The New Yorker feature article, “Taking Down Terrorists in Court.”


During her career, Zainab was seconded twice to Washington, D.C., serving in 2016 as Counselor for Transnational Organized Crime and International Affairs and in 2017 as Acting Deputy Assistant Attorney General in Washington, D.C., where she was responsible for supervising about 70 prosecutors in three sections: Organized Crime & Gangs, Human Rights and Special Prosecutions, and Capital Cases, including the filter team handling the “Panama Papers”-related investigations.


Drawing on her experience, Zainab has played an active role in the advancement of global cybercrime laws and regulations. She previously represented the DOJ at meetings of the World Economic Forum’s Cybercrime Workshop and participated in development of WEF’s Guidance on Public-Private Information Sharing Against Cybercrime. She also organized and led a Cybercrime Roundtable with former FBI Director James Comey and General Counsel and C-suite executives from various industries, including banking, media, health care and pharmaceutical companies, to discuss improved public-private partnership in combatting cybercrime.


Zainab received her law degree in 2005 from the Columbia University School of Law, where she received the Hamilton Fellowship (full scholarship for academic excellence), was a James Kent Scholar and a Harlan Fiske Stone Scholar, and served as the Senior Editor of the Columbia Law Review. She served as a law clerk for Judge Jack B. Weinstein of the U.S. District Court for the Eastern District of New York from 2006 to 2007 and for Judge Reena Raggi of the U.S. Court of Appeals for the Second Circuit from 2007 to 2008.

Comments

Popular Posts

Upload to our gallery now! keyboard_arrow_right Immediate appraisal This piece reads as a curated collage about cartography and travel, mixing an antique world map, a detailed country map (Italy), a photographic grid, and colorful stylized maps. Visually it skews decorative and informational rather than overtly conceptual or painterly. As an art-market object it currently reads like high-quality ephemera or a designer poster rather than a singular gallery-ready artwork. Strengths Broad commercial appeal: Maps and travel imagery sell well to interior decorators, hotels, cafes, the gift market, and consumers seeking nostalgic or travel-themed decor. That gives this work good retail potential. Familiar visual language: Use of an antique map and a country map taps into popular nostalgia and heritage aesthetics that remain fashionable for home decor. Multiplicity of elements: The combination of photographic grid plus cartographic imagery could appeal to buyers who like layered narratives and mixed-media visuals. Clear merchandising possibilities: The design is easily reproducible as prints, posters, postcards, or wall art sets, which helps scalable revenue. Weaknesses that lower market value Lack of clear authorship and provenance: The image feels anonymous and more like stock-collage or graphic design than a work tied to a named artist. Without a credible artist biography or exhibition history, price ceiling is low. Conceptual ambiguity: It is decorative but not strongly distinctive conceptually. Collectors who pay significant sums want a clear, original idea or recognizable formal signature. Reproducibility reduces uniqueness: The layout and photographic elements suggest digital assembly. Unless the artist adds hand-made interventions (collage relief, paint, stamps, archival marks), buyers will regard it as a mass-producible product. Visual incoherence at small scale: The thumbnail shows many small elements and type; unless printed at large scale, details will read as clutter. That reduces perceived craftsmanship in gallery contexts. Typography and composition feel like graphic design, which positions it more for retail/print markets than contemporary fine-art markets. Market positioning and likely prices Retail/print market: Best suited for posters and prints sold through online marketplaces, museum shops, or boutique interiors retailers. Typical price points: $25-250 depending on size, print quality, and framing. Limited-edition prints: If signed and numbered on archival paper with a compelling artist story, it could command $250-2,000, depending on edition size and the artist’s platform. Mixed-media unique works: If converted into hand-finished, one-of-a-kind collages built from vintage maps and original photography, prices could reach $1,000-10,000 in niche markets (decorative contemporary/folk, boutique galleries), but only with consistent exhibition history or strong gallery representation. Blue-chip market: Unlikely without a proven conceptual framework, strong artist reputation, or a series that demonstrates development and critical engagement. How to increase market value Clarify authorship and narrative: Develop and publish a clear artist statement and provenance. Buyers of higher-priced art want to know who made it and why. Limit editions and add handwork: Produce small, numbered editions on archival paper and incorporate hand-applied elements (inking, gold leaf, stitched seams, physical collage) so each piece has unique materiality. Scale and finish: Present the work at larger sizes with museum-quality printing, custom framing, and archival certification to shift perception from poster to fine art object. Build a coherent series: Make a series exploring cartography/travel with a consistent technique and visual signature. Galleries value bodies of work more than stand-alone designs. Targeted placement: Pitch to interior design showrooms, boutique hotels, travel-themed restaurants, and specialty galleries that focus on vernacular and map-based work. Consider museum shop placement for prints. Storytelling and provenance: Link the cartography to a compelling research thread (personal travel, historical map reclamation, geopolitical critique) and document sources for any found imagery. Leverage collaborations: Partner with a known cartographer, photographer, or small publisher to raise profile and credibility. Limited-run products and experiences: Consider artist editions that include a printed map plus a small artist book or a guided talk/artist Q&A to create added value. Fit with current trends Positive fit: Nostalgia, vintage ephemera, and travel aesthetics remain strong in lifestyle and interiors markets. The sustainability and slow travel movements also support interest in map-themed work that implies storytelling and memory. Negative/neutral fit: Contemporary fine-art trends increasingly reward risk-taking, conceptual depth, and socio-political relevance. Purely decorative map art without an evident critical or novel formal approach may be overlooked by contemporary art collectors and critics. Digital/collectible angle: There is demand for limited digital editions and NFTs around map and data art, but this market is volatile and requires strong branding to translate into durable value. Final verdict As presented this work has solid commercial potential in the retail and interiors market but limited appeal to higher-end contemporary art collectors. To grow its market value, the creator needs to claim authorship, make the pieces less reproducible by adding hand-made elements, develop a coherent series or conceptual framework, and pursue strategic placements (boutique retailers, interior designers, small galleries). Without those steps it will perform well as a decorative product but is unlikely to command significant gallery or collector investment.

Upload to our gallery now! keyboard_arrow_right Immediate appraisal This piece reads as a curated collage about cartography and travel, mixing an antique world map, a detailed country map (Italy), a photographic grid, and colorful stylized maps. Visually it skews decorative and informational rather than overtly conceptual or painterly. As an art-market object it currently reads like high-quality ephemera or a designer poster rather than a singular gallery-ready artwork. Strengths Broad commercial appeal: Maps and travel imagery sell well to interior decorators, hotels, cafes, the gift market, and consumers seeking nostalgic or travel-themed decor. That gives this work good retail potential. Familiar visual language: Use of an antique map and a country map taps into popular nostalgia and heritage aesthetics that remain fashionable for home decor. Multiplicity of elements: The combination of photographic grid plus cartographic imagery could appeal to buyers who like layered narratives and mixed-media visuals. Clear merchandising possibilities: The design is easily reproducible as prints, posters, postcards, or wall art sets, which helps scalable revenue. Weaknesses that lower market value Lack of clear authorship and provenance: The image feels anonymous and more like stock-collage or graphic design than a work tied to a named artist. Without a credible artist biography or exhibition history, price ceiling is low. Conceptual ambiguity: It is decorative but not strongly distinctive conceptually. Collectors who pay significant sums want a clear, original idea or recognizable formal signature. Reproducibility reduces uniqueness: The layout and photographic elements suggest digital assembly. Unless the artist adds hand-made interventions (collage relief, paint, stamps, archival marks), buyers will regard it as a mass-producible product. Visual incoherence at small scale: The thumbnail shows many small elements and type; unless printed at large scale, details will read as clutter. That reduces perceived craftsmanship in gallery contexts. Typography and composition feel like graphic design, which positions it more for retail/print markets than contemporary fine-art markets. Market positioning and likely prices Retail/print market: Best suited for posters and prints sold through online marketplaces, museum shops, or boutique interiors retailers. Typical price points: $25-250 depending on size, print quality, and framing. Limited-edition prints: If signed and numbered on archival paper with a compelling artist story, it could command $250-2,000, depending on edition size and the artist’s platform. Mixed-media unique works: If converted into hand-finished, one-of-a-kind collages built from vintage maps and original photography, prices could reach $1,000-10,000 in niche markets (decorative contemporary/folk, boutique galleries), but only with consistent exhibition history or strong gallery representation. Blue-chip market: Unlikely without a proven conceptual framework, strong artist reputation, or a series that demonstrates development and critical engagement. How to increase market value Clarify authorship and narrative: Develop and publish a clear artist statement and provenance. Buyers of higher-priced art want to know who made it and why. Limit editions and add handwork: Produce small, numbered editions on archival paper and incorporate hand-applied elements (inking, gold leaf, stitched seams, physical collage) so each piece has unique materiality. Scale and finish: Present the work at larger sizes with museum-quality printing, custom framing, and archival certification to shift perception from poster to fine art object. Build a coherent series: Make a series exploring cartography/travel with a consistent technique and visual signature. Galleries value bodies of work more than stand-alone designs. Targeted placement: Pitch to interior design showrooms, boutique hotels, travel-themed restaurants, and specialty galleries that focus on vernacular and map-based work. Consider museum shop placement for prints. Storytelling and provenance: Link the cartography to a compelling research thread (personal travel, historical map reclamation, geopolitical critique) and document sources for any found imagery. Leverage collaborations: Partner with a known cartographer, photographer, or small publisher to raise profile and credibility. Limited-run products and experiences: Consider artist editions that include a printed map plus a small artist book or a guided talk/artist Q&A to create added value. Fit with current trends Positive fit: Nostalgia, vintage ephemera, and travel aesthetics remain strong in lifestyle and interiors markets. The sustainability and slow travel movements also support interest in map-themed work that implies storytelling and memory. Negative/neutral fit: Contemporary fine-art trends increasingly reward risk-taking, conceptual depth, and socio-political relevance. Purely decorative map art without an evident critical or novel formal approach may be overlooked by contemporary art collectors and critics. Digital/collectible angle: There is demand for limited digital editions and NFTs around map and data art, but this market is volatile and requires strong branding to translate into durable value. Final verdict As presented this work has solid commercial potential in the retail and interiors market but limited appeal to higher-end contemporary art collectors. To grow its market value, the creator needs to claim authorship, make the pieces less reproducible by adding hand-made elements, develop a coherent series or conceptual framework, and pursue strategic placements (boutique retailers, interior designers, small galleries). Without those steps it will perform well as a decorative product but is unlikely to command significant gallery or collector investment.